Reactorback Strider

 This is my entry to Bio-Cup 2024's first round, with the theme of energy - nuclear. Only a couple of days before the reveal of the theme I had wondered how to use some of large wheel/hub pieces I have around; my prelim entry used the coolest of them, the wholly metallic silver 90s concept hubs. This uses large F1 hubs with the Harley-Davidson hubs (from New Elementary's 2019 Parts Festival) to make the two large nuclear reactors on the construct's back. In general terms, this stayed quite similar to the initial concept. I imagines a two-legged machine striding over a landscape, a nuclear reactor hanging on its back. In the end, I doubled the reactors and turned them pointing slightly backwards - in my three small sketches, made in a train during a day trip to Helsinki it was angled frontwards like a rugsack on a hunchback's back. 

For a large part, I let the spontaneous process to define the character of the machine. I wanted to use plenty of those CCBS add-ons with a bar; a rare model of Batman's motorcycle spiked their price in Bricklink several years ago, and since then I've picked them up whenever possible. I don't know if the're worth anything now, but at least they're fun pieces. The neck took several tries, but worked in the entry. While designing it I also smashed a Breakout launcher with HF body shell and complemented it with small red eyes (2L bar with ring) to create a head reminding of metallic horse's skull. It made the machine more ominous - a walking nuclear danger. There are some elements akin to the aesthetics of the dieselpunk board game Scythe.

Initially, I had envisaged the scenery to be a rolling greel British countryside, which indeed has nuclear power plants. It's something I've picked from Sir Terry Pratchett's autobiographical writings. However, the steel horse-turkey demon didn't fit this setting. I turned into the other nuclear aesthetics, somewhat depressing Late-Soviet landscape. Actually, this landscape could be anywhere in Finland and is not alien to me at all: snow, bare trees in lines between the sleeping fields, and concrete housing block (straight from Hervanta!). The winter landscape also helped to make this stand out from the most typical sci-fi atmospheres. Only the convoy of miniltary vehicles and the tiny red flag establish the Cold War atmosphere. And a gigantic nuclear walker... I'm especially fond of the military convoy on a winding road under the machine. It tells a story without revealing too much. These soldiers are on the same side with the machnine, probably but can the control it? Are there humans in it? Is it from this world? What would they do if it chosed to step on that housing block?

 

Roller Girl

 This model was built for a New Elementary review on 31148 Retro Roller Skate. I requested to review this set because its bright pink tyres; inside-out tyres have been used by builders for years to create organic shapes impossible with regular pieces. Those shapes were even more exclusive in 10 or 15 years ago when the palette of curved slopes was much smaller. However, those shapes remained exlusive to black. Lego released some non-black tyres - you can find more about them on the article - but those were small ones, unable to be turned inside out. This changed this year when this innocent Creator rollerskate was released, alongside with two Space supertheme Technic sets with light bley wheels. I haven't got those, but I'd like to try them.

But for now, it's pink time. The set was a retro roller skate so I designed a retro roller skater with a same colour scheme (especially on the skates). I used one tyre on as a tank top, leaving still three more for othe builds. Additionally, some light aqua parts from the set are used on the skirt. The first version has a short, black hair, but I went with medium nougat as the black contrasted to heavily with the overall bright but serene scheme. I added a bit contrasting black with the ear buds, though - as the element they're quite "graphic", a thin curving line to contrast on those large, light colour areas.

As a process this was a fast and relatively easy. The legs were recycled from an old WIP that didn't need them (the design had took another direction away from those bare legs). The arms recycle old tricks anyway. The main goal was to display the piece usage and it worked effortlessly. The rest was simply establishing the nature and the feel of this character.

- Eero.

First on Mars

 

In June 2028 the Mars Race yielded a shocking and final result: having jumped into the compedition with a major underdog position, the frogs made it into the red planet before any human-occupied spacecrafts. Despite their shortcomings (no written language, no universities), it turned out that launcing a 14-gram Pelophylax ridibundus with a 20-gram space suit took a lot less rocket fuel and advanced engines than, for example, 80 000 gram human with a 100 000 gram space suit.

It's needless to say that her first words upon stepping into the Martian surface was "ribbit".

This is my first build for Bio-Cup 2024 with the preliminary round theme of Space. This high-octane contest once again drives me to use less System pieces than usual. This one started simply with the lovely metallic silver 90s wheel hubs and thei combination with a half of Buzz Lightyear's bubble canopy (I have two of the female half and none of the male). They fitted nicely together, and applying a second wheel on the top defined the whimsical, somehow chef-like atmosphere. The bulky legs followed this. I think I suspected it would turn into a frog somehow, and it did. The hardest part of the model was to shoot it without too large obscuring reflections on the canopy; you can see my reflection holding up a big sheet of cardboard. The second hardest part was to connect the canopy by its side holes while still leaving enough room for the frog's large, magenta cheeks.

-Eero.

Vainolaista vastaan

This is was my entry to Palikkatakomo's spring contest with the theme of "Medieval Diorama". I wanted to build something local and explore things that are often matginalized by the most common things in "castle" builds - that is, literal castles and knights and armies. Finland has some medieval castles, including Olavinlinna, which is the world's northmost medieval castle; but medieval time began here only in 12th century. Until then there was no written language; there was not Finland, of course, but there were people, Iron Age groups of Savonia, Tavastian and, of course, Karelian folk. Their culture was no less sophisticated (nor interesting) than those in Central Europe. I got the fourth place in a tight, high-quality roster of 19 builds.

So this model is about roots in a very literal sense. But it is also topical, as it is inspired by the last winter, the very cold winter of 2024. The idea of the scene is derived from Pekka Halonen's early painting with the same name, featuring a group of slightly whimsical-looking men in linen shirts and dome cap hats sneaking on a lakeside cliff with spears and axes. I transferred the scene to winter, again taking insipiration from Halonen's winter landscapes - he made hundreds of them during his long career. But this landscape is also inspired by Hervantajärvi's hiking area very close (1 km) by, with its high pinewood cliffs over the lake. 

I wanted to achieve a feel of vigilant stubborness. He has heard of strange folk and strange ways from the east and the west. He's accompanied by a Finnish Spitz, suomenpystykorva, the national dog breed of Finland; a hunting and guarding breed from the dawn of the times. The dog was not part of the original idea but felt very fitting to the theme and the colour harmony of the whole.

Most of this was, once again, about building rocks, which is neither very fun nor inspiring. The rocks were to be covered with thick snow on organic and fantastic shapes; this was the central aesthetics here. The base had to be high enough to make an impression of a look-out, but the whole model, pine tree included, had to fit between to top shelf and the ceiling. I ended up jutting the tree on a lower outcrop but adding two smaller rocks on the top to enhance the three-dimensionaly of the composition.

The tree was the most challenging and interesting bit to build. The idea is based on pines I built for Villa Mauski, an another Palikkatakomo contest entry from last year.  This is larger, however, and the lumped snow (tykkylumi) makes it a lot heavier, just like the real thing; the trunk and the branches had to be strong, and the snow had to be as light as possible while still looking plausible. There is a long flex tube (rigid 3.18 mm tube) running through most of it. The bottom part includes a long liftarm that is securely connected to the base. On the colours, I replaced medium nougat of the Villa Mauski trees with the more fitting nougat. All of it it likely from the UCS Landspeeder I reviewed for New Elementary a couple of years ago. The top part is orange, which is very bright but still accurate - at least on pines on direct sunlight. I like its brightness, it compliments the more down-to-earth olive green nicely. And the macaroni tubes, essential for the branches, are available in it... The largest branch has to be removed while moving this model around, or either the flex tube in the trunk will wilt and go all sloppy due to the tremors.

The figure was far easier than the rest. It is faithfully based on research; clothing guides of Finnish history reenactment and live role playing societies helped me here. I ended up with a warm hues, possible with plant- and earth-based dyes, some fur on the boots and the hat, and a sole but pretty piece of jewelry on the tunic. The spear (as a ski pole) was part of the original idea, with its hole in the snow made using a modern turntable base. I like its small point in contrast to huge ones prominent in fantasy art. The bow was a very late addition - it felt natural and emphasized the vigilance of the composition. I'm particularly happy with the connection of the zipline string into the bow! 

The figure became a self-portrait. This was a subconscious development but an inevitable one. It's the beard, I couldn't have left it out. It's not dissimilar to my beard. And I use a fur-leather hat in the winter. though one with more prominent ear flaps. It's totally an iron age me.

The dog took some tries, as I haven't built things like this a lot. I'm happy with the bohrok eye ears, but the eye area wasmore challenging. Lucklily, the polychromy of these white-to-orange dogs allowed a wider roster of parts, although the gradients are not as beautiful that on the real animals. The dog is essential part of the model, though, adding a touch of lighthearted humour to it.

-Eero.

Baroness Ruby

This moden began as a innocent counterpart of Princess Sapphire. The model was successful with its use of transparent colours, trans-purple and trans-blue. I wanted to make something similar with other colours and investigated my inventories of trans-yellow, trans-green and trans-red. My trans-yellow collection was smaller than I remembered, and trans-green was concentrated on a couple of part types in large quantities. Trans-red didn't fare much better, but at least I had enough basic parts in it for background support uses. 

The bloody yet regal trans-red directed towards more dramatic and even gothic feel that the bright, magical sword and sorcery style of Princess Sapphire. It took a turn to a military-esque anime vibe, an uniform with golden buttons. And the process was a far less straightforward. This creation standed headless on my desk for weeks, and many parts once established had to change.

What remained of the orginal proposals are the windscreens on the upper legs, the macaroni tube belt, and the loincloth thing with the printed gold bits. All iterations had golden buttons, but their position changed and changed. The arms remained relatively identical thorought the process; only the single pauldron was a late addition. The feet parts were nailed at the first go - they have a surprisingly complicated structure.

The first active phase ended with the establishing of the Technic figure helmet breastplate with its golden ornaments. This was followed by a few-week hiatus with growing dissatisfaction; the legs were too thing and unfocused, all the heads looked too large. I began and even finished some projects during the time between, until deciding that I have to finish this or it'll end up standing headless on my tabel for years. I re-made the legs I wasn't happy with and added the cape. It's actually Chirrut's (Salta Pinnar's) skirt. Capes helped me to define characters twice recently, with Princess Sapphire but also with Tahu last year. It worked here, too. I'm particularly happy with the golden adornments that help to pull it down. It was a shoulder cape, so I applied the single pauldron on the other side. I also ended up with a striking, asymmetrically coloured hairstyle. Only when almost finished I realised that it'll probably remind some people of the dog-eating Disney villain. I've seen barely any Disney films, so it was not obvious to me; I'm not kidding. I was thinkin a bit of Finnish popular musician Vesta who has (or had at some point) similarily dyed hair.

The sword and the scabbard were the last additions. I wanted to include a blade to mirror Princess Sapphire, and had planned to build one using a sole 1x6 inverter curved slope in trans-red. Howerver, the style deemed more finesse, and I settled with a more elegant fencing sword.

-Eero.

PS: Check my freshly published article on the recent Notre-Dame de Paris set on New Elementary.